Kinsley translates Bagalamukhi as "she who has the face of the crane". Bagalamukhi isn't depicted using a crane-head or with cranes. Kinsley believes the crane's behaviour of standing still to capture prey is reflective on the occult powers bestowed through the goddess.[5] In the same way, It helps companies expand https://baglamukhi98157.designertoblog.com/62512918/detailed-notes-on-baglamukhi